SALOMON MUSEUM R. GUGGENHEIM (NEW YORK, USA)
The artist’s installation - Non projections for New Lovers - displays video projectors connected to shoes thus expressing the indecipherable impressions that roam around everyone’s head. I prefer his video for the 53rd Venice Art Biennale dealing with Sade, sexuality, freedom and ethics (interview with Selina Ting in InitiArt Magazine).
http://www.initiartmagazine.com/interview.php?IVarchive=2
However, through his multiple works (charcoal drawings, documentaries, etc.), his publishing company Badlands Unlimited turns up as most interesting.http://badlandsunlimited.com
Hugo Boss, Katherine Brinson (curator) and her assistant Susan Thompson must be thanked for this fine american exhibit.http://www.hugoboss.com
Meanwhile, Michel Destot – Isère’s representative in France – is visiting my Paris workshop and a collaboration with the musician Jannick Top (Magma, Infernal Machina) is setting up for an installation-projection-concert to come...
http://www.micheldestot.fr/actualites/bernard-gast-un-artiste-proteiforme/
http://jannicktop.com[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width="1/2"][vc_single_image image="595" img_size="full" onclick="link_image"][vc_column_text]Paul Chan – Sade for Sade's Sake (2009), Projection on 3 channels (5h 45mn), © Paul Chan[/vc_column_text][/vc_column][vc_column width="1/2"][vc_single_image image="596" img_size="full" onclick="link_image"][vc_column_text]Bernard Gast – Qui êtes-vous ? / Who are you ? (2008), Paintless-Painting (1, 30 x 3, 09 m) ©Adagp[/vc_column_text][/vc_column][/vc_row]